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was one of many first main movies to feature a straight marquee star being an LGBTQ lead, back when it was still considered the kiss of career Demise.
We get it -- there's lots movies in that "Suggested For you personally" segment of your streaming queue, but How does one sift through all the straight-to-DVD white gay rom coms starring D-list celebs to find something of true substance?
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To discuss the magic of “Close-Up” is to discuss the magic in the movies themselves (its title alludes to some particular shot of Sabzian in court, but also to the kind of illusion that happens right in front of your face). In that light, Kiarostami’s dextrous work of postrevolutionary meta-fiction so naturally positions itself as one of several greatest films ever made because it doubles as being the ultimate self-portrait of cinema itself; of the medium’s tenuous relationship with truth, of its singular capacity for exploitation, and of its unmatched power for perverting reality into something more profound.
A sweeping adventure about a 14th century ironmonger, the animal gods who live during the forest she clearcuts to mine for ore, and the doomed warrior prince who risks what’s left of his life to stop the war between them, Miyazaki’s painstakingly lush mid-career masterpiece has long been seen as being a cautionary tale about humanity’s disregard for nature, but its true power is rooted less in protest than in acceptance.
Side-eyed for years before the film’s beguiling power began to more fully reveal itself (Kubrick’s swansong proving to get every inch as mysterious and rich with meaning as “The Shining” or “2001: A Space Odyssey”), “Eyes Wide Shut” is often a clenched sleepwalk through a swirl of overlapping dreamstates.
the 1994 film that was xx video primarily a showcase for Tom Hanks as a person dying of AIDS, this Australian drama isn’t about just one person’s burden. It focuses on the physical and psychological havoc AIDS wreaks over a couple in different stages of the health issues.
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Depending on which Minimize you see (and there are at least five, not including supporter edits), you’ll have a different sprinkling of all of these, as Wenders’ original version was reportedly 20 hours long and took about a decade to make. The two theatrical versions, which hover around three hours long, were poorly received, plus the film existed in various ephemeral states until the 2015 release on the recently restored 287-moment director’s Reduce, taken from the edit that Wenders and his editor Peter Przygodda set together themselves.
And but, for every bit of progress Bobby and Kevin make, there’s a setback, resulting in hot gay sex a very roller coaster of hope and disappointment. Charbonier and Powell place the boys’ abduction within a larger context that’s deeply depraved and disturbing, however they find a suitable thematic balance that avoids any sense of exploitation.
For such a singular artist and aesthete, Wes Anderson has always been comfortable with wearing his influences on his sleeve, rightly showing confidence that he can celebrate his touchstones without resigning to them. For evidence, just look at the way his characters worship each other in hentaimanga order to find themselves — from Ned Plimpton’s childhood obsession with Steve Zissou, into the moderate latex porn awe that Gustave H.
Most likely it’s fitting that a road movie — the ultimate road movie — exists in so many different iterations, each longer than the next, spliced together from other iterations that together create a feeling of a grand cohesive whole. There is beauty in its meandering quality, its emphasis not on the type of end-of-the-world plotting that would have Gerard Butler foaming within the mouth, but about the comfort and ease of friends, lovers, family, acquaintances, and strangers just hanging out. —ES
David Cronenberg adapting a J.G. Ballard novel about people who get turned on by car or truck crashes was bound to become provocative. “Crash” transcends the label, grinning in perverse delight as it sticks its fingers into a gaping wound. Something similar happens from the backseat of a car or truck in this movie, just one particular within the cavalcade of perversions enacted through the film’s cast of pansexual risk-takers.